![]() ![]() ANDIAMO features two MADI ports, and one audio network option supporting either Dante or RAVENNA/AES67 or Soundgrid. It is still offering flexibility on the digital audio source for playback and includes 32 Analog I/O in just one piece of hardware. Manual switch-over between MAIN and BACKUP is triggered via the built-in MIDI.ĪNDIAMO is a more compact solution, fitting in just 1RU. Snapshots can be recalled directly from the front panel touch screen, while GPIO can also be used for 'force to Main' or 'force to Backup' triggers.Įxample: PRODIGY.MP, the Multifunction Processor, connecting 2 main and 2 backup computers simultaneously, each of them playing 32 audio tracks via Dante. Disaster Recovery adds a second fallback for the playback source. The PRODIGY Series with its 2RU size and its modular structure is our most flexible playback solution in terms of interfacing options, I/O and control capabilities.ĭante, RAVENNA/AES67, Soundgrid and MADI can be chosen as digital audio playback sources, while Analog and AES3 local outputs can be used when needed. ![]() Afterall, it’s well known that string-sections do not take well to sleeping on tour buses! However, experience has proven that the worst can and does happen, so touring systems also incorporate the resilience and protections against hardware, software and artistic faults and errors.Īs well as dual-redundant system design for the main sound and visual systems, the same levels of protection are applied to the performance systems with dualled keyboard electronics, guitar pedalboards and playback for effects, musical fills and elements that are just not practical or financially viable to take on tour. The stakes are high.Ĭonsequently, the touring live music industry invests heavily in the technology and equipment to deliver a sound and visual experience of the very highest possible standard. The stage performance emulating, or even improving upon, the performance on the album – plus all the extra razzmatazz, visuals and, of course, atmosphere of sharing this with thousands of other, hopefully, like-minded fans. That space between -16 and 0 is the headroom the bigger the distance, the more headroom.Arena and festival live music audiences of tens of thousands have high expectations for a memorable, professional and fault-free performance. For example, if a recording is at a peak level of -16dBFS, it's 16 decibels (dB) below full scale. Digital audio has a maximum decibels full scale of zero (0 dBFS). ![]() Headroom, simply put, is the amount of wiggle room you have before the audio clips. Let's quickly dive into the technicalities. Related: The Best Free Audio Editing Software ![]() You'll be able to "see" audio clipping on a DAW via the level meters. An overdriven signal will force a speaker or amplifier to produce a higher output voltage than it's designed to that's when we hear clipping. When an audio input or output is pushed beyond its maximum limit, it will go into what's known as "overdrive". What Is Audio Clipping?Īudio clipping is a waveform distortion. Don't fret, you don't need to be a sound engineer for this if you have access to a device that can download any audio editing program, you'll be able to follow along with these methods. ![]()
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